"The shilling's my shilling," said Mrs. Gereth. She had once more disengaged herself, with the private vow that he shouldn't yet touch her again. It was all too horribly soon—her sense of this was rapidly surging back. "We mustn't talk, we mustn't talk; we must wait!" she intensely insisted. "I don't know what you mean by your freedom; I don't see it, I don't feel it. Where is it yet, where, your freedom? If it's real there's plenty of time, and if it isn't there's more than enough. I hate myself," she protested, "for having anything to say about her: it's like waiting for dead men's shoes! What business is it of mine what she does? She has her own trouble and her own plan. It's too hideous to watch her and count on her!"!

"Then say it and have done with it!" "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed.

"What do you call the open, Mrs. Gereth?" Fleda demanded. Then as the other faltered: "Do you know where Mr. Owen is to-day?" If Owen had not come down with them nor joined them later, it was because he still found London jolly; yet the question remained of whether the jollity of London was not merely the only name his small vocabulary yielded for the jollity of Mona Brigstock. There was indeed in his conduct another ambiguity—something that required explaining so long as his motive didn't come to the surface. If he was in love, what was the matter? And what was the matter still more if he wasn't? The mystery was at last cleared up: this Fleda gathered from the tone in which, one morning at breakfast, a letter just opened made Mrs. Gereth cry out. Her dismay was almost a shriek: "Why, he's bringing her down—he wants her to see the house!" They flew, the two women, into each other's arms and, with their heads together, soon made out that the reason, the baffling reason why nothing had yet happened, was that Mona didn't know, or Owen didn't, whether Poynton would really please her. She was coming down to judge; and could anything in the world be more like poor Owen than the ponderous probity which had kept him from pressing her for a reply till she should have learned whether she approved what he had to offer her? That was a scruple it had naturally been impossible to impute. If only they might fondly hope, Mrs. Gereth wailed, that the girl's expectations would be dashed! There was a fine consistency, a sincerity quite affecting, in her arguing that the better the place should happen to look and to express the conceptions to which it owed its origin, the less it would speak to an intelligence so primitive. How could a Brigstock possibly understand what it was all about? How, really, could a Brigstock logically do anything but hate it? Mrs. Gereth, even as she whisked away linen shrouds, persuaded herself of the possibility on Mona's part of some bewildered blankness, some collapse of admiration that would prove disconcerting to her swain—a hope of which Fleda at least could see the absurdity and which gave the measure of the poor lady's strange, almost maniacal disposition to thrust in everywhere the question of "things," to read all behavior in the light of some fancied relation to them. "Things" were of course the sum of the world; only, for Mrs. Gereth, the sum of the world was rare French furniture and Oriental china. She could at a stretch imagine people's not having, but she couldn't imagine their not wanting and not missing. "What she ought to do?"